-
Acerca de
What do entertainment agents do? Most people don’t really know. In fact, many of them don’t even know. Half the job is thinking on one’s feet, and the other half is a combination of business acumen, interpersonal struggle to stay on everyone’s good side, and reading way too much. And that’s just the top of the pile.
The real answer, of course, is management of people. Keeping clients happy, while keeping clients close to reality, while keeping clients honest. More than anything else, it’s human. And because of that, it matters.
It matters because we’re in a world where everybody knows that lives, careers, and futures can be transformed forever in an instant. Life altering decisions can be made at pace and under pressure. One phone call, one email, or one opportunity can change or occasionally, save a life and career.
These are the moments that agents live for. It’s what they’re about, and what they’re really for.
Our central agency, Nightingale Hart, is a small London talent agency set up in the 1980s, now existing in the modern day as it struggles to adjust to changing tides and trends in an ever-protean industry.
In this sense, the series is about the world of entertainment, but it’s truly about human relationships.
Most centrally, our series follows the founder of the agency, RICHARD NIGHTINGALE – a maven of the industry now late in life, along with his much-less-likable son, JONATHAN, his long-time business partner STELLA, top agents DAN and REBECCA, and a host of assistants, talent, and related figures in the world.
This is the central dynamic of the series – the parallels and push-pulls of work and home life. Many times, in the entertainment industry, they have a habit of colliding – at times when those concerned need it least. Agents fall for clients. Clients become enamoured with assistants. Nepotism exalts. Romance, jobs, family, friendship, drinking-buddies, fear, love, loathing, and culture coalesce into one.
Materiales
- Todos los Materiales (5)
- Arte principal (1)
- FOTOS POR EPISODIO (3)
- Galería de fotos (0)
- Fotos del detrás de cámaras (0)
- FOTOS DEL EVENTO (0)
- Recursos de video (1)
- EPK (0)
- Kit de prensa
Premisa
Nightingale Hart, a small London talent agency, struggles to adjust to change in an ever-changing industry. The top agents, clients, and assistants at Nightingale must do their best to juggle personal and professional problems, all while maintaining their sanity… and client-base. Based on the original series Call My Agent!Descripción del título
What do entertainment agents do? Most people don’t really know. In fact, many of them don’t even know. Half the job is thinking on one’s feet, and the other half is a combination of business acumen, interpersonal struggle to stay on everyone’s good side, and reading way too much. And that’s just the top of the pile.
The real answer, of course, is management of people. Keeping clients happy, while keeping clients close to reality, while keeping clients honest. More than anything else, it’s human. And because of that, it matters.
It matters because we’re in a world where everybody knows that lives, careers, and futures can be transformed forever in an instant. Life altering decisions can be made at pace and under pressure. One phone call, one email, or one opportunity can change or occasionally, save a life and career.
These are the moments that agents live for. It’s what they’re about, and what they’re really for.
Our central agency, Nightingale Hart, is a small London talent agency set up in the 1980s, now existing in the modern day as it struggles to adjust to changing tides and trends in an ever-protean industry.
In this sense, the series is about the world of entertainment, but it’s truly about human relationships.
Most centrally, our series follows the founder of the agency, RICHARD NIGHTINGALE – a maven of the industry now late in life, along with his much-less-likable son, JONATHAN, his long-time business partner STELLA, top agents DAN and REBECCA, and a host of assistants, talent, and related figures in the world.
This is the central dynamic of the series – the parallels and push-pulls of work and home life. Many times, in the entertainment industry, they have a habit of colliding – at times when those concerned need it least. Agents fall for clients. Clients become enamoured with assistants. Nepotism exalts. Romance, jobs, family, friendship, drinking-buddies, fear, love, loathing, and culture coalesce into one.
Créditos
Created by
John Morton
Produced by
Sarah Curtis
Developed by
John Morton
Directed by
John Morton, Jessica Swale, Sam Leifer, MJ Delaney
Executive Produced by
David Davoli, Samantha Thomas, Steven Thibault and Aaron L. Gilbert for BRON
Christian Baute, Frank Calderon and Laurence Lenica for HEADLINE PICTURES
Cast
Jack Davenport, Lydia Leonard, Maggie Steed, Prasanna Puwanarajah, Hiftu Quasem, Fola Evans-Akingbola, Rebecca Humphries, Harry Trevaldwyn, Tim McInnerny, Natasha Little, Edward Bluemel, Chelsey Crisp, Jack Holden, Jim Broadbent
Cameo cast as themselves
Kelly Macdonald
Helena Bonham Carter
Olivia Williams
Lorraine Kelly
Dominic West
Himesh Patel
Emma Corrin
Phoebe Dynevor
David Oyelowo
Jessica Oyelowo
Clémence Poésy
David Harewood
-
Créditos
Created by
John MortonProduced by
Sarah Curtis
Developed by
John Morton
Directed by
John Morton, Jessica Swale, Sam Leifer, MJ Delaney
Executive Produced by
David Davoli, Samantha Thomas, Steven Thibault and Aaron L. Gilbert for BRON
Christian Baute, Frank Calderon and Laurence Lenica for HEADLINE PICTURES
Cast
Jack Davenport, Lydia Leonard, Maggie Steed, Prasanna Puwanarajah, Hiftu Quasem, Fola Evans-Akingbola, Rebecca Humphries, Harry Trevaldwyn, Tim McInnerny, Natasha Little, Edward Bluemel, Chelsey Crisp, Jack Holden, Jim BroadbentCameo cast as themselves
Kelly Macdonald
Helena Bonham Carter
Olivia Williams
Lorraine Kelly
Dominic West
Himesh Patel
Emma Corrin
Phoebe Dynevor
David Oyelowo
Jessica Oyelowo
Clémence Poésy
David Harewood